Giant Jammy Thumbprint Cookies

Giant Jammy Thumbprint Cookies

I’m laying in the bedroom, too excited to sleep but too tired to get up and let the chickens out. One small lamp illuminates the room, yellowing Elsa’s fur, ochre streaks on the dawn. It’s been a long month. Good, but long. So much to plan, so much to do. So much in the little details, where the Devil sometimes waits. A handful of days until the wedding. More on that later.

I’ve been trying my hand at rituals. I’ve been trying to remind myself to get off my ass and walk around the house, around the yard, around the pasture. I’ve been having a hard time with the concept of expansion. It’s much easier for someone like me, who grew up bookish and can’t handle perimeters of myself very well, to sit in one room all day. I’ve been trying my hand at rituals to make small allowances. To break into this part of myself.

So I cut back on coffee and find time to brew a cup of tea. Write some letters I’ve been holding off on. And since either don’t eat until 9 at night or snack throughout the day, I thought I’d ease back into baking with small desserts. Easy treats. Things to dunk and break and that leaves crumbs behind.

Enter these giant thumbprint cookies. Made with whatever jam I found in my fridge this week. I’ve made this recipe twice already.

Giant Thumbprint Cookies

Giant Jammy Thumbprint Cookies


  • 1/3 cup butter, softened

  • 1/2 cup sugar

  • 1 egg

  • 1 TB lemon zest

  • 1/2 teaspoon vanilla extract

  • 1 1/4 cup AP flour

  • 1/2 teaspoon baking powder

  • 1/4 teaspoon salt

  • 1/4 cup your favorite jam


  1. Cream together butter and sugar until light and fluffy

  2. Add egg, zest, and vanilla and mix together

  3. Sift together dry ingredients and gently stir into your butter mixture

  4. Turn out onto a floured work surface and pat into a disc. Wrap and chill for 1 hour

  5. Preheat oven to 400*F

  6. Roll dough into 2 TB balls, press with thumb or measuring spoon to create a well in center

  7. Par-bake for 5 minutes

  8. Meanwhile, heat jam in microwave for a few seconds to loosen it up a bit

  9. Take cookies out of oven after time has elapsed, fill each well with a bit of jam

  10. Bake for an additional 8 minutes or until slightly brown (I like mine to be a bit soft, but you can bake longer)

  11. Allow to cool and enjoy

Giant Jammy Thumbprint Cookies
Giant Jammy Thumbprint Cookies
Giant Jammy Thumbprint Cookies
Giant Jammy Thumbprint Cookies

How to Write a Letter: With Mr. Boddington

I have come to the conclusion that I miss pen on paper. For my "real" job, I work remotely, making it difficult to have any real connection to others while I am behind my screen. Not a phone talker by nature, I avoid calls at all cost.

In my last post for Mr. Boddington, I created a primer on notes. And while I think they have created me the opportunity to show my love, support, and sympathy, they do not always get to the heart of my intention. They are brief, concise, scrawled and popped in the mail.

But sometimes there is more to say to friends and strangers and strangers who become friends. I am verbose by nature, and so I want to say a lot. And so I write a lot. And so I describe a lot. Ask a lot of questions. Occasionally repeat myself. And so I write a letter.

As with the previous post, and my subsequent newsletters since, I have been invested in the Mitford Industry still. Earlier this month, I finished a book of letters between Evelyn Waugh and Nancy Mitford, the eldest sister. These letters were long, illustrious, and a little sharp on the edges. I flew through the pages. At the pool in the Poconos over 4th of July, tanning oil smeared the pages and still I read on.

And it inspired me to write longer letters. Letters with no predicate. Letters for the sake of letters and as an ode to friendships and old coworkers and the "just because" moments of putting good faith into building more than what's behind a screen.

And so I hope Mr. Boddington inspires you, too. I have put together a few guiding principles I use.

How to Write a Long Form Letter:


Letters, for me, allow me to do two things: establish a greater appreciation for my friendship with another, and to practice my own wit (ha). While I try to put too much of myself into a letter, it is fun to be able to dance around from topic to topic, all the while keeping my reader's enjoyment in mind.

Earlier this Summer, I cast a net out to others on social media, thinking of those who I may want to correspond with outside of the ebbs and tides of my interaction with Instagram and Facebook. Two old coworkers and three other friends agreed. I originally wrote my first letters on my Mr. Boddington paper that I received earlier this year (specifically the Tulum set and the Leopard set (both spoil me with their beauty). 

So when I sit down to write, I think about a few items below. While these tenets are in no way exhaustive to the actuality of conversational correspondence, it gave me a few good practices to keep in mind as I went along.

Parts of a Letter


Of course, there are many parts to a letter, and this format is completely scalable to how much you want to write to your friend. The intention of a longer form note is different than the short response-based notecard we had previously discussed. 

A letter should flesh out your relationship over time. It should offer jokes, side-stories, fears and successes. But, at the heart of a letter, one should always make sure that the reader is the priority - so I always try to bring the focus to them throughout. This is best set up using the format I outline in the chart to the right. 

Here, you see that there are five main components to a letter which can best establish the relationship you are aiming to create:

  1. Date - we will not address this one here, but I did in my previous post

  2. Salutation

  3. Intro/Reason for letter

  4. Story paragraph(s)

  5. Concluding paragraphs

  6. Closing

I will go through each in the below sections, with help from Mr. Boddington's lovely book.



I think that the greeting sets the tone of the entire note; but I also think that it's often overlooked. As Mr. Boddington put it, "Using the classic Dear Frida, is completely acceptable. Other favorites are DearestGood Morning (or Afternoon), My friend." I've been known to simply put the recipient's name for more formal notes, or a pleasant greeting ("Hi you guys!") if I'm setting it up for a relaxed letter.

Intro/Reason for letter

Where you really tee up the letter and how long it will be. Since letters mailed can take days for a response, it's nice to remind the reader where you last left off and why. It also gives the reader the opportunity to know the tone of the letter. If you begin it with "I just had the most amazing week in Costa Rica" then one may expect some highlights from the trip along the way. I always take the road of being light, grateful for the conversation, and empathetic to whatever emotion my correspondent left behind in their last letter. 

I've included here a good example of how the Intro/Reason paragraph can be simple, straightforward, and addressing the main point of the letter to which I am responding. Note further, by introducing the idea that my week has been busy, one may also infer that the letter will be parsed down for brevity, due to my schedule.

This letter's template is from Mr. Boddington's Leopard Desk Set, whose suite includes writing paper with little prompts (absolutely love the favorite animal note at the bottom!).

Story Paragraph(s)

The real beauty of Waugh and Mitford's correspondences was their ability to paint vivid stories to one another for fifty years, living countries apart. And while my life is a lot less exciting than theirs, I was inspired to do the same. I've included an abridged note from Nancy Mitford to Evelyn Waugh, to show exactly how I think story paragraphs should be. 

To me, they should have the following, or do the following:

  • Paint a picture of your life, illustrating your day to one who is not witness to it often

  • Answer any of their questions here, being sure to write that they were the one interested in the first place ("To answer your question about my trip to Vienna...")

  • Ask your own questions! Nancy, in the example, did this by asking why Evelyn's castle was never bought.  This helps move the response along and keeps you invested, laying the groundwork for further correspondences.

  • Bring details of the reader into your prose. Things that reminded you of them, things you know about them, etc. Again, Nancy does this in the example, but it can be as little as, "I know your birthday was six weeks ago, and I never did ask if you went into the City or not".

  • Pepper in details about you, too. Often, if I ask a question, I may respond to my own question from my perspective. This will help cut out the "And what do you think" in their reply

  • But I also try to avoid talking too much about myself, unless there is a story or note to be told. I'm a believer that a reader is more interested in hearing and talking about themselves, so I like to build that ingratiating rhetoric throughout

  • And finally - keep it loose. Let the paragraphs flow as they come into your head. There's no need to formally outline anything, but have fun writing as you go. Mr. Boddington's book gives great prompts throughout their book that have been inspiration for me as I sit down at my desk to write.

Concluding Paragraph

This doesn't have to be a long apology, but it should be leading somewhere. "I have to go clean the barn now" or "I have to get back to work, though I'm hoping for an easy day ahead!" These both give a picture of where the day went after the letter was finished for the reader, and also explains why your note was 2 pages versus 20.

In the example, Nancy had been writing to Evelyn for over 20 years at this point. Her "Much love - WRITE" was sufficient to their relationship.


How funny that the formality and occasion of a note dictate how it should close. Due to the alliteration of my name, I'm fond of using "Best" for most scenarios. But a quick "XOXO" will do for my loved ones. It's hard to be creative when there are the standard-bearers of typical closing words ("Sincerely", "Yours", "Always", "Regards"), so perhaps try to be a bit creative here.

The signature need not be anything but your first name in whatever style you sign it. I like to do it a tad differently in script than my note (larger, or more flourished). As Mr. Boddington points out, for more formal or new acquaintances, use first and last.


None of these are revolutionary points, but they are good primers for where to get started. I believe in celebrating the ordinary, appreciating my friendships, and understanding that the few minutes I write may just make the day of someone else. 

How to Write a Note: With Mr. Boddington

I am a note writer by nature, it comes so easily to me. I have reams of bullet-pointed paper, scratched out and rewritten, all throughout my office. I write notes for myself. I write notes to Nolan. I've written notes throughout my childhood--too nervous for the confrontation, delaying the inevitable response for when they read my folded-up note at their leisure.

I have my current job due to a card I had written. In October of 2014, I had interviewed for a job as an executive assistant to the then-President of my company. I did not get the job. But, understanding that there was always opportunity in the future, I had written to the President and given my appreciation for her time all the same. December of that year, I moved to Texas for work with another company. It was not a good fit for me, but I did it all the same. The promise of an amorphous "career" loomed with the move and so I took the bait and drove to my new apartment in San Antonio. 

In May, the person they hired instead of me was fired. And I got a call from the President. She asked if I would move back to California and work for her. She said she was holding my thank-you note in her hand. She hired me on the spot, offered me a generous salary to move back. Ten days later, I started.

The power of a notecard, a personal touch. It makes all the difference in the world. A card or letter is more than a pleasantry, a necessity, a routine; it's the artifact, the symbol, the proof that the recipient was on your mind for more than the transient interaction itself. I believe in the imbued quality of gentility that goes into a handwritten note. I believe in its ability to give the recipient a pause in their otherwise routine. 

Because of this, I've put together a small guide for writing notes. It's not much, but it includes a few rules I follow. With the help of Mr. Boddington, I hope that it inspires others to continue to cherish the small instances of care that one forgets these days.

Mr Boddington - How to Write a Note

Thank You Notes: A Primer

If you remember, I received a couple writing sets from Mr. Boddington. Since then, I have been dying to find ways in which I could incorporate this stationery into my daily life. Thankfully, it was easy, considering that, between work and family/friends, I send a note to someone about once a week.

The cards in both the Tulum writing set and the Leopards desk set both are flat cards, meaning they do not need to be folded. In the above examples, I lined out the various parts of a correspondence card. I'm sure these seem pretty basic--and they are. But in the notes below, I lay out examples, tips from Mr. Boddington's book, and some of my own personal recommendations on writing an impactful note on the real estate of a notecard.

Parts of a Note.

A. Date

None of the the following notes should be considered dogma. In fact, most--if not all--can be construed as personal preference. The date is one such instance. For me, I prefer to write date in the European format. This is simply for aesthetic reasons, meaning that I like the numerical balance, enveloping the month in the middle. It always goes on the right.

B. Salutations/Greeting

I think that the greeting sets the tone of the entire note; but I also think that it's often overlooked. As Mr. Boddington put it, "Using the classic Dear Frida, is completely acceptable. Other favorites are DearestGood Morning (or Afternoon), My friend." I've been known to simply put the recipient's name for more formal notes, or a few pleasant adjectives ("To the wonderful, amazing Atlanta team") for informal and ingratiating notes.

C. Body

I've stared at this section for a while. How does one try to encapsulate such a personal, malleable, and vague portion of the note into a bullet point? The best advice I can give is to keep it to the point. 

In the example, please find an example that Deborah Cavendish, Duchess of Devonshire ("Debo") wrote to her sister, Lady Diana Moseley ("Honks"). What I liked about this example is its brevity, its directness in its questioning, and how it ends with a story. This was all done in 8 lines of copy. For most notes, I don't think you need to worry about expending any real estate on, "What's up?" or, "How are you?" In fact, I think it's counterproductive, considering it's not an immediate conversation and when the recipient replies, he or she won't answer, "While reading your note I was cutting flowers" or whatever else was "up".

Further, whether the note is a thank-you, a congratulations, a sympathy card - all should follow the similar rule of keeping it to the point. Here are a few rules I follow:

For thank-you: Give your appreciation in the very first line. Then, somewhere in the copy, say one reason why you love it, then the enthusiastic "We can't wait to use X". (Eg, Thank you so much for the new china set. We absolutely love the pattern. I can't wait to use it this summer for our picnics in the garden).

For congratulations: I think the hardest thing about this one is making sure you're not overly sentimental, but respectfully prideful of one's accomplishments. For this, again, keep it direct, then leave with a compliment (You always were great at equestrian). I think we tend to want to flourish the language to really let someone know our enthusiasm at their success, that we overdo it on occasion.

Sympathy: Purposefully vague but genuinely sorry is the best way I can describe these types of cards. In my current role, I've had to write eight (too many!) condolences cards for my coworkers losing their parents. Not wanting to take away from their grieving through my own letterwriting, I try to keep it non-denominational, understated, and meaningful. Using cliches here may not be a bad thing - you are truly sorry for their loss! But, noncommittal terms such as "He's in a better place" doesn't always have the same gratification, in my opinion. 

For any and all of these types of correspondence, I think we need to do more of them. In the current book I am reading, The Mitfords: Letters Between Six Sisters by Charlotte Moseley, the six Mitford sisters wrote to one another for over 70 years, compiling hundreds of thousands of letters detailing every part of their lives. I was inspired by their letters' oftentimes banality, but also their wit, sympathy, excitement, and hope that jumped off the pages. Why can't we do this, too? What has stopped us, other than the advancing immediacy of technology? Increase in instant gratification (texts, emails, Facebook) should not preclude the human touch we all of us are losing. I implore more letter writing out of each of you, for small victories and large deaths and promotions and birthdays and thank-you-for-dinners. All of it.

D. Closing and Signature

How funny that the formality and occasion of a note dictate how it should close. Due to the alliteration of my name, I'm fond of using "Best" for most scenarios. But a quick "XOXO" will do for my loved ones. It's hard to be creative when there are the standard-bearers of typical closing words ("Sincerely", "Yours", "Always", "Regards"), so perhaps try to be a bit creative here. But not too much so that it comes off as sophomoric. One co-worker of uses the closing "Forever attentively" and I roll my eyes at this self-congratulating.

The signature need not be anything but your first name in whatever style you sign it. I like to do it a tad differently in script than my note (larger, or more flourished). As Mr. Boddington points out, for more formal or new acquaintances, use first and last.

Mr Boddington - How to Write a Note

Celebrating the Ordinary

For me, as I've already said, writing notes is completely natural to me. And while I do not receive the amount of notes I send, I do not expect to. 

Mr. Boddington's memorandum notepad is the absolute perfect medium for these everyday notes for me, especially to Nolan. Usually tucked under his keys before work, you'll find a note of some sort for him to read. Working from home affords me a certain knowledge of the house, our chores, etc that I like to keep him informed, too. These I keep simple, a quick jot with an XO scribbled for good measure.

I think what notes like this do better than texting is that one can now look back to it. We receive so many messages on our phones a day, it's hard to keep track. This way, it's a physical reminder of something you may not want to forget. Alternatively, a small love note (like the one I had waiting for Nolan after Iceland) still hangs on our refrigerator, reminding us of relaxed days when things may be a little stressful.

Closing Remarks

Nothing I've said here should be mind-blowing. It really shouldn't be. We naturally know how to form a letter. I remember most of these steps in the 6th grade for a composition class. But, it's the recalling each components' individual meaning that matters. I'm a huge advocate for taking five minutes and a 49 cent stamp to make someone else's day a little brighter. I'm so fortunate to have found Mr. Boddington to share in this missive with me.